The film spins around Kabir Malhotra (Rajneesh Duggal), an expert by calling, who is enamored with a young lady named Sia (Roshni Chopra) and marries her. A swearing vocation and an apparently cheerful marriage, Kabir has it all! Anyway things update. One day, without any intimation, Sia vanishes. Kabir then runs into Disha (Adah Sharma), who is a divine being-talented young lady, and can see the sights of the past essence as well as the advancing fate! Disha then assists Kabir in illuminating the puzzle of his absent wife!
The motion picture begins off on a frightfully moderate note, when in England a baba (Saadhu) censures a man, Vikramaditya, for every last trace of the sins he had bound! Vikramaditya then submits suicide and is later reborn as Kabir! Phhir is actually a doubtful film and it is tricky to accept that nobody in years ran into the dead assemblage of Vikramaditya and his wife in a detached constructing. Kabir beyond any doubt advancing and seeing the skeleton of his past self makes no sense either!
Approaching the displays given by the actors, Rajneesh Duggal, being the lead performer of the film, falls flat to make much of an impression! The same is the case with Adah Sharma. Roshni Chopra is peculiar and we trust she adheres to showing her acting aptitudes on TV just!
However there were some engaging instants in the film, for the most part Phirr was a predictable and dragging flick, and executive Girish Dhamija might have made a preferable showing with the script penned by Vikram Bhatt!
The music of the film by Toshi Sabri, Sharib Sabri and Raghav Sachar is simply about alright, not one of its tunes being hummable.
Cinematography of the film is possibly the just sparing grace, but not enough to make up for different messes up.
To give the extended story the ax, drone phhir se Phhir nahi dekhenge and we give it a thumbs down.
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